Moog Music One Synthesizer

Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer sold under the Moog brand in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.

Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.

Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.

Moog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.

• TRIANGLE CORE OSCILLATORS

  Each Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.

• DUAL SOURCE NOISE GENERATOR

  Each Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.

• MIXER

  Moog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.

• LADDER AND STATE VARIABLE FILTERS

  There are two types of analog filters in Moog One. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds.

• LOW FREQUENCY OSCILLATORS

  Cyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more.

• ENVELOPES

  Dynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves.

• MODULATION

  Easily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button -- the next knob touched sets the modulation path and amount. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components.

• SYNTH EFFECTS, MASTER BUS EFFECTS, AND EVENTIDE® REVERBS

  Moog One features a growing library of programmable per-synth effects and master bus effects that include chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide® including Blackhole, Shimmer, Plate, Room, and Hall. Effects can be applied in two ways: as Synth Effects and Master Bus Effects. Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be applied via sends to all three synthesizers. Though its onboard effects are digital, Moog One retains a completely analog signal path with no in-line conversion when insert effects are off.